events

  • Wednesday, 12 June, 2019 - 12:30
  • Thursday, 13 June, 2019 - 12:30
  • Friday, 14 June, 2019 - 12:30

Screening

Cafeteria

Free admission
Allowed food and drinks

 

ARGOS centre for art and media

Founded in 1989, ARGOS is a Brussels-based institution for the production and advancement of critical audiovisual arts, as well as its conservation and restoration. It makes programmes and presentations, distributes moving image works, and builds, preserves, and discloses a prominent collection of artist films and videos.

ARTBREAK CANTINE by ARGOS

Program#4

Esther Johnson - Alone Together, the Social Life of Benches, 2015© Esther Johnson

Not in the mood to have lunch with your colleagues today ? Tired about eating your sandwich on your own in front of your computer?

Then come at KANAL - Centre Pompidou in the old Citroen Canteen to watch artists' films!

KANAL invited ARGOS to set up 4 programs for your lunch break.

 

PROGRAM 4

This last program about our cosmopolitan cities and its surrounding life, but also about filming and editing. The crowd goes up and down busy sidewalks, hidden cameras captures what's going on there, images are superimposed to the recordings. Yet, a story is told or just drafted. Between documentary and anonymity, this program is a cinematic travel to the contemporary public space.

 

Ken Kobland - THE NOTHING THAT IS …
2016, 16'30”, colour, sound.
THE NOTHING THAT IS comes out of the environment of our streets, these days. The 'virtual', 'other reality' which inhabits them. In the midst endless mining and searching for data, for information, for what's hidden (conspiratorially) in the everyday … It's bounded by 2 quotes (always words, I need them, what else can I say). One from a Wallace Steven's poem and the other from Robert Frank. Two poets, really. One of the landscape and the other of the camera.

 

Esther Johnson - Alone Together, the Social Life of Benches
2015, 18', colour, English and Napali spoken, English subtitles.
The film acts like a stranger who joins you on a bench to ‘watch the world go by’, and break the ice by starting a conversation with their fellow bench user. Revolving around the micro-space of the humble bench, the emotional and experiential capacity of film is used to highlight themes such as the feeling of being in a space, the rhythm and flow of visitors to a place, and the importance of design for everyday street furniture.

 

Nicolas Provost - Plot Point
2007, 13'39”, colour, sound.
The crowded streets of New York City turn into fictive, cinematographic scenery. Nicolas Provost plays with our collective memory, its cinematic codes and narrative languages questioning the boundaries between a staged, suggested reality and authentic fiction. Although for the most part filmed with a hidden camera, Plot Point presents a highly dramatic construction with overly sophisticated images and a subtle but tangible urge in the soundtrack.