Live
—
Tickets

Claire Croize / ECCE

The Round

Tickets
Group of children taking part in a dance activity in front of an audience.
The Round © Koen Broos, 2025

The Round pays tribute to the untamed energy of young bodies, created and performed by eight children from Brussels. Through games and rituals of their own making, they explore concepts like community and mutual solidarity, as well as personal experiences.

Date
—
Type
Live
Location

Hall 1

Rates

€0 - €14

Rates:
Standaard
€14.00
VIP
€0.00
-26 jaar
€10.50
Article 27
€1.25
+65 jaar
€12.60
Werkzoekende
€10.50
Lerarenkaart
€11.90
European Disability Card
€7.00
VIP Bloomberg
€0.00
Kanal Friends -50%
€7.00
Tickets
Noise level
Level 3 ≤ 100 db
Do you still remember: falling stars,
how they leapt slantwise through the sky
like horses over suddenly held-out hurdles
of our wishes – did we have so many?
Rainer Maria Rilke

Following a strong showing at MolenFest 2025, Croizé's The Round returns for a new run of performances at Kanal-Centre Pompidou. Inside Jozef Wouters's specially designed circular stage, a playful spectacle unfolds: young dancers aged 9 to 13 develop their own processions, parades and dances. Especially for this occasion, their movements will be spurred on by a live soundtrack from the Brussels-based percussion group Fanfakids. Expect a collective energy that will leave no one unmoved, both literally and figuratively.

Dates

Claire Croize / ECCE

The Round

Live
— , Hall 1
Tickets

Claire Croize / ECCE

The Round

Live
— , Hall 1
Tickets

Claire Croize / ECCE

The Round

Live
— , Hall 1
Tickets

Credits and bios

In co-production with
,
,
,
 &
Creation and dance
,
,
,
,
,
,
,
,
 &
Concept and choreography
Artistic and technical assistant
Live music
Artistic assistant
 &
Set design
Costumes
hip-hop composed by Jo Zanders & merengue composed by Louis Favre
Music: “Peaux en Métaux” from 'Pléaïdes', composed by Xenakis
Stage, lighting, and sound technology
Production assistant
Day-to-day management, communication, and scheduling
Business management
Musical support
,
 &
Special thanks to
,
,
,
,
,
 &
Production
With the support of
 &

Organised by